Three stars (of five)
When asked by the author to read and honestly review this novel, I did so with as little trepidation. I knew nothing of the man, his style, or even his capabilities. Having come through the journey, I am satisfied Mitchell knows how to captivate an audience with his prose and forces the reader to think, rather than permit mental neutrality. Eric is a recent university graduate in economics and philosophy, content with his studies, but unsure what his next step might be. Having developed a system of predicting market fluctuations, he becomes highly interesting to some of his professors, as well as to a secret organisation the A Priori Group. Eric finds himself in a new relationship with a dark poet, Erin, but it is placed on hold over the summer while she completes an internship, leaving Eric spends a great deal of time with his friend, Jill, who’s entered his life through her own relationship with Eric’s roommate, Gary. The time he spends with Jill allows Eric to see things in her that he had not seen before, and sense feelings that were long left dormant. In a period of discovering an romantic analysis, Jill and Eric begin to push down the walls of their friendship, exploring their deeper emotions, shelving the realities of their respective relationship. When Eric learns that the three people with whom he is closest are all A Priori recruits and that they are housed together for a period of time, he begins to wonder who he fits in and if anything is real. As Eric begins to pull away from Erin and moves towards Jill, things take turns neither of them expect, placing Eric in an emotional and philosophical game of tug-of-war, unsure where to turn. It is only when he is able to reflect back on his time with Annie Brown, lost to him years before, that Eric realises his pull towards both Jill and Erin, knowing he cannot have them both. Powerfully written with poignant themes and curious analyses of events most people take for granted, Mitchell can speak to the reader through his characters in a way I have not seen for a long time.
I was not sure how to approach this novel, nor what I would get out of it, but knew there was something worth exploring. I took away much from the story and even the development of the characters. Eric spoke to me, personally, in his struggles to handle love and mourn the loss of a past relationship. As the story progressed and Eric was faced with the battles both Erin and Jill brought to the table, I could see myself in the struggle as well, wondering how to handle it. Mitchell does not only instil empathy in the reader, but can truly tap into their lives and pull out poignant events, forcing an inner philosophical discussion. The A Priori discussion was less involved to me, but its presence cannot be discounted, as it is the thread that brought these four individuals together. While I cannot be sure Eric made the choice I might have, I can rest assured that I am left to wonder as I place his story against the framework of my own, and move forward from here.
I cannot leave this review without bringing up a significant flaw, one that any potential reader should be aware of ahead of time. When Mitchell presented this book to me, he admitted that ” I am far more interested in telling the story than I am in editing.” This should have been foreboding for me, as the novel is full of typographical errors, grammatical assassinations, and punctuation disasters. While I am a fairly lenient reader, if I pick up on multiple (we’re talking scores here, not a handful) issues, I find the flow the book is lost. Published work should have that refined feel to it, which this does not. I cringed and shook my head well into the night as I forged on, convinced it would be an early chapter anomaly. I suspect Mitchell either did superficial proofing himself or his editorial team forged their credentials. Highly annoying and problematic, this issue cost Mitchell the stellar rating and review this novel’s content deserves. Then again, you can’t always get what you want!
Kudos, Mr. Mitchell for this piece of work. I am curious to read some more of your work, but please do not approach me until after this reckless editorial error has been solved.