Not Young, Still Restless, by Jeanne Cooper

Eight stars

As my final selection in this sixty-one day biography marathon (or bio binge as I have aptly named it), I turned to a quirky memoir of an on-screen character who is synonymous with daytime television; Jeanne Cooper. While the reader may not immediately recognise the name, many who have taken the time to sit down and discover the exciting stories that come from the fictional Genoa City, Wisconsin will know Katherine Chancellor and the longevity she brought to The Young and the Restless (Y&R). Cooper became not only the matriarch of Y&R, but also made a name for herself in the 1950s and 60s on-screen with many major television and movie actors, relationships she brings to light throughout this poignant memoir. More a tell-all than I would have expected, but still highly interesting and full of interesting tidbits. Cooper pulls no punches, but also lauds praise upon many of those who have shaped her life in acting and the personal relationships she was able to garner from these interactions. A highly entertaining and somewhat educational piece that many readers will enjoy, even if they have to admit their guilty pleasure.

Born in Taft, California just before the Depression, Cooper opens her piece by explaining that she was considered “the night the diaphragm didn’t’ work” by her mother. A wonderful place to begin a life that had seen much, even at an early age. With a father who brought his family wherever the work might be, Cooper was left without a strong paternal relationship, which left her lacking something. Her closeness was fostered with a loving mother through numerous stories in the opening chapter, none so chilling as two molestation revelations during her childhood. By the time Cooper finished public school, she was struck with the agonising death of her mother from cancer and sought to console herself by moving to Los Angeles to become an actress. Studying as hard as she could, Cooper was approached by some executives to get into the new and uncertain world of television, something she felt would only be a fad. After much coaxing, Cooper agreed to try it and soon found herself enamoured with the medium. It was there that she met some of her long-time acting friends, including Raymond Burr, a man with whom she would be close on multiple levels until his death. During her early years on television, Cooper met Harry Bernsen, an agent who sought to sweep her off her feet. While he did do that, their fun always had a degree of intrigue, stirring up both amorous and angering sentiments inside Cooper. When she found herself pregnant, Cooper did not bat an eyelash and soon sought to make Bernsen settle down with her. While he remained at her side, his work took him all over, leaving Cooper to wonder about how dedicated he was to her. Cooper gave birth to Corbin in 1954, hoping this might light a fire under Bernsen, but Harry remained somewhat distant, even with a new baby to show off to the world. Cooper recounts that Bernsen treated his son as somewhat of a pariah, calling a simple hematoma a deformity and wishing no one to come by to visit baby Corbin. Cooper took definite offence to this, though she remained as calm as possible. When Bernsen asked to marry her, she agreed, but was left struggling to understand his commitment when he rushed her to Tiajuana for a long weekend than have a full-fledged ceremony. Two other children followed and Cooper’s career continued to soar, while her husband was always off with numerous lovely women, only exacerbating the wonder of his fidelity. Cooper mentions some interesting vignettes about how Bernsen tried to shuffle her off, though she was too wise to fall for the bait. Still, she needed a distraction, or at least a sign that some new path would help her find her way.

While vacationing with her family in 1973, a call came from a producer who wanted to cast her in the role of Katherine Chancellor for a new soap opera, The Young and the Restless. Cooper was shocked and dubious, having never worked on the five-day a week filming routine. Still was intrigued and agreed, even though the three years they wanted as commitment seemed to be quite a blood promise. From the time she began as Katherine, Cooper found her niche and fell in love with the character and the writing. Never one to shy away from conflict when it was well-deserved, Cooper tells of many screaming matches with writers, directors, producers, and her fellow co-stars, all in an attempt to make the show better and more believable. Cooper bursts the bubble that many viewers likely have, commenting that even the actors roll their eyes at some of the dialogue or storylines that are presented to them, though there always seemed to be a flavour of reality with many of the stories that found their way to air on CBS. Cooper explores some of the interesting storylines that she encountered during her years on Y&R, noting some of the special actors and actresses with whom she worked. In true tell-all fashion, she even revealed a year-long romance she had with one of her co-stars, which might surprise many fans who have a long viewing history with the show. Shocking to most readers (and Y&R fans alike) will be the revelation that Cooper did not win her first Daytime Emmy for Katherine Chancellor until 2008. This is a shock to many who will remember her memorable double portrayal in 1990, an episode that is discussed at length in the book, particularly when the eventual winner was sure Cooper had the award. In the latter portion of the memoir, Cooper spends time regaling some of her favourite co-stars and telling some of the behind the scenes stories about them while also tipping her hand at some of the secrets she has been keeping from the world. In the waning chapters, Cooper turns to address the role her children and grandchildren play in her life, recounting touching stories about their growth and her admiration for each one. Remaining high on her own personal soap box, the memoir ends with some public services that Cooper holds dear and will forever cherish. A refreshing and powerful memoir that exemplifies that longevity does not equate to stale acting, but a dedication to the larger family unit. Cooper’s words captivate and intrigue while they entertain and encourage.

Those who have read my review of Eric Braeden’s memoir, Cooper’s long-time friend and Y&R co-star, will realise that I struggled with admitting my guilty pleasure at being a long-time fan of the soap opera. However, as I discovered, being an off-again, on-again, fan of Y&R, I was all the more interested to see some of the intriguing aspects of the memoir, particularly those that surrounded the program. That being said, I did learn so much more about Cooper and her life before taking on the role of alcoholic and powerful Katherine Chancellor, particularly her fame in early television. Cooper exemplifies throughout this piece that she never looked back to those days or on those with whom she acted and left them in the dust. Her journey is praised at every turn and her stepping stones are equally important to her larger journey. Cooper keeps things real and takes no prisoners, as her ex-husband can attest to, when she pushed him out for blatant infidelity. Cooper uses her smooth narrative to push the reader through a wonderful story with ample stops along the way. A tell-all, as I explained earlier, though also filled with classy depictions, so as not to vilify anyone whose name graces the pages of this book. Cooper was a family woman, be it blood or work, and never forgot those who loved her, with exponential amounts of affection to send back. The world lost a wonderful actress and daytime television lost a stellar personality when Jeanne Cooper died alongside the Katherine Chancellor character. Hollywood, Genoa City, and the world will miss her and many are thankful she is never to be replaced and always remembered. 

Kudos, Madam Cooper for your straight talk and wonderful storytelling. While I have not watched Y&R for numerous years, you will be missed and are loved by many. Thank you for sharing your most intimate moments and remaining classy the entire time.

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I’ll Be Damned: How my Young and Restless Life Led me to America’s #1 Daytime Drama, by Eric Braeden 

Eight stars

When it comes to biographical pieces, there are times you turn away from the academic or the historical figures and want to know more about those people who interest you for no reason other than you see them on television or in the movies. ‘How did they get there?’ or ‘What dirt do they have behind the scenes?’ are two questions that often pop into my head. When I saw that Eric Braeden put out a memoir, I thought back to my guilty pleasure obsession with The Young and the Restless (Y&R) in the past and wanted to learn more about this ultimate villain. The name Victor Newman has crossed my lips many times, when referring to the evil side I sometimes like to bring out, leaving me to wonder more about the actor and how this character came to fruition. The attentive reader will, as I did, learn that Breaden’s life was much more than the past 37 years in the fictional Genoa City, Wisconsin, spanning decades of work and interesting stories. A fabulous collection of thoughts and biographical tales that will astound and shock anyone who gives it a chance.

Born Hans Jörg Gudegast in the small northern German town of Kiel, the story begins by exploring life in the middle of the Second World War. Braeden (I will use his current name, so as not to confuse the review reader) and his family struggled to make ends meet with a father who was caught up in the Nazi rhetoric and served Hitler as well as he could. When, at age 12, Braeden’s father died of a heart attack, the push was on to support his family and make a future for himself. Working hard and keeping up his grades, Braeden was offered an opportunity to move to the United States upon graduation, which he took without looking back. Settling in Texas, Braeden learned the value of hard work, but felt the sense of being a villain because of his German background. Moving around, he eventually settled in Montana on an athletic scholarship and worked harder than he ever had before. The lights and sounds of Los Angeles eventually lured him away, at which time he learned some hard truths about the past he had been shielded from before; the role Germany and the Nazis played in the Second World War. Braeden explains that his scholastic upbringing sought to ‘erase’ those years and so he was unaware of the cruelty that Hitler imposed on the Jews. He took it upon himself to educate anyone who would listen that German does not equate to Nazi. Funny enough, when Braeden found his calling as an actor, he was typecast on stage and in film/television as the ‘German scientist’ or ‘Nazi soldier’. He pushed back where he could, trying to personalise the characters and not playing in the stereotype. This led to some wonderful opportunities and stellar movie roles, all of which are detailed within the book, as well as the moment he was faced with the request to change from Hans Jörg Gudegast to Eric Braeden. 

Besides his love of acting, Braeden kept up his passion for sports, specifically soccer, which he played semi-professionally for many years while acting. This team mentality helped a great deal when the opportunity to act in a soap opera came along. It was February 1980 when Braeden was asked to sign a three month contract as Victor Newman. He agreed, reluctantly and was prepared to leave after the term ended, but was persuaded by his wife, Dale, to give it more time. Through countless negotiations with William Bell, the creator of Y&R, Braeden hashed out a thorough backstory for Victor Newman and took him in many directions. It is here that Braeden was able to explore himself as an actor and accrue scores of fans from all walks of life. I no longer need to hide my head when I admit that I am a fan of Victor or Y&R, as Braeden tells of world leaders and professional athletes who were diehard fans, approaching him for news and praise. Braeden recounts some of his fondest memories and those co-stars who touched his life. With thirty-seven years on set, Braeden is as excited to stay as he has ever been, loving the role and all those who surround him, though his own family is the true passion of his life. A wonderfully succinct piece that pulls no punches, but also keeps the story as real as possible, Eric Braeden is surely a man much more complicated that the Victor Newman for whom he is likely best known.

One can never be sure what will come out of a memoir written by a television star. Will it be all about the struggles and woeful losses, balanced off by a few great decisions and strong agents? Will there be a collection of knives tossed into the backs of former co-stars, allowing the piece to reveal previously unknown facts about the actors in a ‘tell-all’ format? Whatever one might expect, Braeden bucks the trend and offers a powerful piece that is rooted less in the dramatic growth of his career as a collection of passions that have made him the man he is today. While acting and the rigours of life on set plays a key role within the narrative, there is a strong and ongoing push to open up the German/Jewish dialogue, whereby Braeden does not allow the world to forget the past with which his country of birth indelibly marked history, but seeks to rectify that past and build towards a stronger and more understanding future. Braeden is tirelessly seeking to ensure the reader understands that he is not ashamed of Germany as his homeland, but is also not prepared to be vilified for being born under a regime that was not of his choosing or desire. With countless vignettes that move the narrative along, Braeden captures the reader from the start and does not let go until the final pages of the memoir. Raw, honest, and a pleasant dose of reality, Braeden has shown the potential power that comes from a well-crafted biographical piece.

Kudos, Mr. Braeden for such a refreshing memoir that pulls on the personal and professional aspects of your life so fluidly. I learned so much more than I thought and will surely recommend this to anyone who has an interest in seeing the bigger picture. 

Troublemaker: Surviving Hollywood and Scientology, by Leah Remini (with Rebecca Paley)

Eight stars

In the waning days of my biography binge, I chose to take a turn towards Hollywood, or at least the world of television actors. The first of these two biographies is that of Leah Remini, who offers up the added bonus of her three-decade escape from the suppressive Church of Scientology. While I am by no means an expert or even someone with great interest in Scientology, I have passing knowledge about this cult-like group from an earlier book on the subject penned by a family member of the current leader who spent many years being oppressed. Remini’s aptly titled biography explores her life as a troubled actress and member of the Church, both of which include run-ins with many within the Hollywood elite. Remini is honest and blunt, more than I would have expected before starting this piece, offering the reader a wonderful look into the cutthroat life of trying to pay one’s bills while acting, all overshadowed by this looming Scientology lifestyle that seems to take more than it could ever give any individual. By no means academic, Remini’s book is perfect for the reader looking to read a tell-all about a group that vilifies anyone on the outside or who wish to leave for their own personal reasons, with enough saucy language to keep things real.

Leah Remini grew up in a strict household in 1970s Brooklyn, a Jewish mother and Italian Catholic father her two guiding lights. As Remini discusses early on in her book, life was rough, especially when the shouting began at home. After her mother joined the Church of Scientology, Leah was left to wonder if she, too, could benefit from its structure and strict adherence to a set of beliefs. When Remini’s mother brought her into the fold, there was an early acceptance of the tenets of Scientology, akin to the shiny new toy that one receives. For a time, this seemed to be the best life, with a move down to Florida to join an upper echelon of the Church, though the regimented lifestyle had many struggles that did not sit well for a mouthy teenage girl. While balancing her classes and audits (integral parts of the Scientology world perception indoctrination), Remini sought to work and faced the reality of life in the workforce. After deciding to make her break in Hollywood, Remini tried to carve out a name for herself, though her rough exterior proved hard to market at times. A number of one-offs and guest appearances preceded some series work, only to see shows cancelled or never make it past a pilot. This angst was balanced with an ongoing requirement to work within the Church on indoctrination, at times punished for a lack of commitment to her religion. After scoring a lead role on a popular television series, Remini was on her way, both in television and within Scientology, permitted to liaise inside the Celebrity Church where she could encounter some of Hollywood’s most dedicated Scientologists, including Tom Cruise, whose oddity speaks volumes and plays a key role in an subtext throughout the book. Remini grew close to her celebrity Church members and recounts a long and drawn-out affair while in Italy for the Tom Cruise-Katie Holmes wedding, which saw her vilified by many and showed her a new perspective on the lax nature that some high within the Church treated the fundamental rules. In the latter portion of the book, Remini discusses her epiphany and the fallout she had with the Church, which led to her being blackballed as she called out the contradictory nature of the entire process. It appeared that, using the aforementioned wedding as only one example, that Tom Cruise was being turned into some form of deity within the Church, whereby the senior members would fall over themselves to appease him. Remini found this most baffling, which might have fuelled her final decision to leave the Church. Thereafter, she was labelled as a cast-off and members of Scientology were to ostracise and berate her through the media at any opportunity. In and organisation that seeks to vilifying and bankrupt its members for the betterment of a crazed couch hopper, it is no wonder that Leah Remini felt the need to pen this book, if only to clear the air and disassociate herself with the horrors that befell her at the hands of Scientology. While it is surely the place for some, one dare not speak out, for it is then that the full force of vengeance emerges and the Church takes no prisoners. Wonderful reading and highly insightful that will surely appeal to a wonderful cross-section of readers. Perhaps one of the better ways to end this biography binge.

Remini is open and honest throughout, beginning her piece promising to bear all so that Scientology cannot begin its own smear campaign. I found many parallels within this book to that of another member with ties to the head of Scientology, which left me to believe that these were not fabricated stories or Church tenets. The insightfulness that Remini offers is supported further by her discussion of life outside of Scientology, leaving the reader to feel that this is less an attack on the Church, but an exploration of a life that was significantly shaped by a set of likely untenable rules and countless regulations, where any questioning or curiosity was met with a verbal riding crop. While Scientology seeks to create a form of inner peace and oneness, its precepts, as discussed through Remini’s lens, prove almost pyramidic, allowing those at the top to prosper while others attain levels only by handing over all sanity and dignity to others. Remini’s struggles to work within the world of Hollywood actors was also highly interesting and the success she garnered, as mentioned above, allowed her in to an inner circle of Hollywood elite of the Church. Remini’s raw style is to be applauded in this case, for it shows that she was a troublemaker throughout her ordeal, but never lost her true self. Surely that was the hope of this cult, as it has cost many people everything and given them nothing but heartache in return. I had little compassion for the Church before, so am by no means feeling as though I have had an epiphany and was taken in by the antics before. I knew of the Cruise factor and have always found him to be eccentric and completely off base. As their apparent deity, it now becomes apparent how much of a crackpot Scientology has become and will remain. It was worth reading to see another person’s view of the process and the struggles to leave of her own free will, as hard as it was for Remini.

Kudos, Madam Remini for this wonderful piece. I am excited to share my views and this book with others, which offers so much in this compact book. I hope others will have the strength to speak out or defend THEIR own views, rather that turn this into a witch hunt or a Hollywood smear campaign. If Katie Holmes and Nicole Kidman can survive, you will as well!

Matriarch: Queen Mary and the House of Windsor, by Anne Edwards 

Nine stars

As my 2017 biography binge winds down, so does my current exploration of the modern British monarchy. I have been lucky to collect a number of biographical pieces that link together, from George III and his daughters, to Victoria, to her five consort granddaughters, and now to Mary of Teck. Queen Mary’s life is an interesting piece of biographical glue all her own: great- granddaughter to George III, niece to Victoria, a fellow Queen consort, and the grandmother to Elizabeth II. Anne Edwards pulls all this together and formulates a fabulous biography of the women who stood by George V as the House of Windsor evolved while erasing its Germanic titular foundation. Mother to two kings and a woman of some intellectual renown all her own, Mary of Teck proved to be more that the ‘poodle-like’ coiffure for which she is known. She will surely go down in history has have many strong links during the late 19th and well into the 20th century, shaping the modern British Royal Family. A great piece for the curious reader, especially one such as myself who has seen this monarchical period from many angles already.

Born Victoria Mary Augusta Louise Olga Pauline Claudine Agnes in 1867, this Princess of Teck (who went by Mary or ‘May’) was raised in England and lived her entire life there. Daughter of Francis, Duke of Teck, and Princess Mary Adelaide, a granddaughter of George III, Mary had regal blood coursing through her. As a young princess, she proved highly intelligent and apt with numbers and engaging with others on a social basis, though Edwards does not spend much time on these early years. One theme that does pervade the early narrative is Mary’s desire to one day become Queen of England, married to the reigning monarch. At 24, Mary was betrothed to the eldest son of the Prince of Wales, Prince Eddie, but their engagement ended when he died of pneumonia. Still harbouring this queenly desire, Mary sought to win the heart of the next son of the Prince of Wales, the boisterous George. Mary and George quickly fell in love after Queen Victoria encouraged the royal cousins together and they married in 1893. They established themselves quickly with two sons, David and Albert ‘Bertie’, before adding three more boys and a single princess. George and Mary lived happily in successive titles as Duke and Duchess of York, then Cambridge, and eventually Prince and Princess of Wales, after Edward VII ascended to the Throne. Edwards speaks highly of Mary’s abilities to keep her family running smoothly, while devoting herself to George. The narrative builds on a tangential topic of the boys upbringing, with David and Bertie proving to be polar opposites. While David excelled at sport and in the classroom, Bertie developed a strong stutter and clung to the bottom rung of the scholastic rankings, something that would haunt him for much of his life, always living in the shadows of his father and elder brother. However, Mary would offer love to her children as best she could, including her youngest, Prince John, whose childhood epilepsy left him out of the public eye before his death at age 14. When Edward VII died in 1910, Mary and George ascended to the Throne. Mary finally earned her life-long dream to be Queen of England, while George V’s nightmare began, as he had little interest in the position.

Edwards offers some wonderful narration about the coronation ceremony of King George V and Queen Mary, alongside the elder princes, who also had roles. George sought to reign as best he could, even though his interest in the job was less a passion than a requirement of birth. Mary used her time not to dictate, but to shape England as it came into the early 20th century. Compassion and a closer connection to the people, as she visited the sick and poor, became Mary’s trademark, though she could be found traipsing through the shopping district to purchase items whenever time permitted. Edwards recounts how a single purchase by Mary left the item on the ‘must have’ list for long periods thereafter by commoner and lady of the court alike. She valued money and was able to stretch a pound as far as it would go, but did also enjoy the luxurious life of diamonds and fancy gowns. One thing she was never seen to do was express emotion, be it a coy smile or a small tear during a sad revelation. Historians (and Edwards here) hints that she was the most stoic of women, both in public and behind the palace doors, which proved to present her in an uncaring light, even though her actions contradict this. When war ravaged Europe, George and Mary spent much time liaising with Parliament and trying to create a firm stance for the British, which proved to be a strain on George, as the main aggressor in the war was his cousin, Kaiser Wilhelm II. George sought to propel England forward and held firm to his Anglo roots, so much so that when it was hinted that he might have German leanings because of his ancestry House, George undertook to scrub his Royal House of Saxe-Coburg and Gotha, changing it to the more neutral Windsor. He also changed all Germanic sounding titles to an Anglophone equivalent, which was surely a major move at the time, supported strongly by Mary, whose ‘Teck’ ancestry also had Germanic roots. After the bloody Great War, George and Mary sought to strengthen England and the Empire as best they could, holding strong during the post-War years, while also honing the future princes (David and Bertie) into settling down. Bertie struggled with his foibles and turned to drink, but soon found the reluctant love of Elizabeth Bowes-Lyon, while David remained without a spouse. George and Mary celebrated their Silver Jubilee in 1935, with the ailing king barely making it through the process, indicating that a succession was surely not far off, though the Prince of Wales had little change of marriage. As all eyes began to turn towards the Prince, he continued his private philandering and dabbling with mistresses. Edwards explores the Prince’s refusal to enter a loveless marriage, even for his own subjects. George and Mary fretted over this greatly, but would not intervene, feeling that this was not their place. However, when King George V died in early 1936, David (going by Edward VIII) ascended the Throne and pushed England into a constitutional crisis as Mary began her life as Queen Mother.
With the death of George V and ascension of Edward VIII, England soon found itself in a situation that was evolving with every passing day. As Edwards explores thoroughly, the emergence of Bessie Wallis Warfield (better known as Wallis SImpson), a woman who had been married and divorced twice before with two living husbands, proved to be a quiet thorn in the side of the royal family. Her relationship when Edward was Prince of Wales was scandalous throughout the American press, became a calamity after the ascension and rumours built within Britain. Edward VIII would not put her aside and was prepared to defy Parliament and marry Simpson and make her Queen. While she refused to meddle in the life of her son, Queen Mary adamantly sought to ensure that the monarchy was not sullied with this and pushed to have the Cabinet stand firm. With Bertie in the wings, Mary worried that her second son may not be able to handle the pressures of reigning, so no one was pushing for an abdication. However, Mary knew Bertie would step up if asked, even though he continued to battle with the bottle and had a young family all his own. As the tumult of the constitutional crisis came to a head and Edward VIII chose to step down, Mary applauded the move, even though it meant a temporary exile for Edward VIII, away from the English tabloids. Mary and the rest of the world turned to Bertie, reigning as George VI. The new King took Britain through the crisis and into the dreaded Second World War. Edwards explores some of the parallels that the two Kings George faced in their respective international conflicts, with Queen Mary there both times to offer support and encouragement. There is also some interesting talk of the Queen Mother’s relationship with her granddaughters, Elizabeth and Margaret, which the reader may find interesting. The George VI years were calmer, especially after the war, and Mary could enjoy life and her numerous charitable events. Cancer and speculative cirrhosis due to excessive drinking brought George VI’s reign to an end, allowing Queen Mary to live under her fifth monarch, though she was now 85 years of age. The first person to greet the new Elizabeth II upon her emergency return from Africa, Queen Mary sought to instil the dignity and pride that the world has seen in the current English monarch for close to seven decades. Mary’s health quickly diminished and she missed seeing her granddaughter crowned by only a few months in 1953. The end to a life full of excitement and much fanfare.
Anne Edwards has crafted a wonderful biography that complements a number of the other biographies I have undertaken in the last month. There is the strong argument that Mary proved to be a strong glue that bound the reigns of Queens Victoria and Elizabeth II, ushering in the change of an era that saw a crisis stretch the seams of the idea of constitutional monarchy in the United Kingdom. With a smooth narrative and wonderful research, Edwards offers readers a superior foundation on which to build a modern history of the British monarchy. Using history, tradition, and individual characters to flavour the larger story, Edwards argues her points effectively and with ease. If there were one weak spot that became noticeable, it was that upon ascending the Throne through to her death, things became a whirlwind, collapsing years into a single phrase or paragraph. Surely, this was meant to condense such periods and focus on key events (the wars, the abdication, the deaths of Georges V and VI), I felt rushed at times, but never cheated, which makes for a powerful biography. The true test of a superior biography is not only that it leaves the door open for more exploration on the subject, but that other characters also become of interest, creating a hunger for additional learning. Any reader with a passion for the British monarchy or who has followed by biography binge and seen some of the other royal pieces I have devoured will find this book a welcome addition. It fills in some of the gaps in those other biographies while opening countless new avenues of exploration.
Kudos, Madam Edwards for impressing the reader so much with your collection of vignettes. I found your book resourceful, well paced, and thoroughly captivating. I hope that I can read more of your work, when time permits.

Born to Rule: Five Reigning Consorts, Granddaughters of Queen Victoria, by Julia P. Gelardi

Nine stars

A prominent sub-theme that has become apparent during this biography binge would have to be the long reach of the English monarchy around Europe. It came up in a piece on George III’s daughters, as well as a biography of Queen Victoria (a George III granddaughter), and now with Julia Gelardi’s piece on five granddaughters of Queen Victoria who rose to prominence as consorts in various kingdoms. Gelardi offers a wonderful look into the lives of Princesses Alix (Russia), Maud (Norway), Sophie (Greece), Marie (Romania), and Ena (Spain), weaving together their personal lives with some of the historical goings-on in the late 19th and early 20th centuries. That these cousins were both so similar and vastly different is greatly apparent in this book, which boasts an interconnected biography of each. Below I will offer only a very brief snapshot, in hopes of luring others into reading and discovering many more details about these five women of monarchical prominence. Gelardi’s attention to detail and smooth narrative are not lost on the attentive reader. Perfect for those who love history and how small nuances can cause revolutionary change in short order.

Alix Victoria Helena Louise Beatrice (eventually Tsarina Alexandra Feodorovna) is likely the most well-known of the Consort Five. A feisty child and close to her grandmother, Alix was soon won over by the eventual Tsar Nicholas II in 1894. As Gelardi notes, Alix was required to convert to Orthodoxy in order to marry and eventually serve as Empress. She did so with little fuss and never looked back. Russia was a powerful entity in Europe and held much sway going into the 20th century. Alix was able to make much headway with her Russian family and gave birth to five children, the youngest, Alexei, who inherited the haemophilia gene. It was around the time of Alexei’s struggles that Alix sought the help of a peasant preacher, the now infamous Rasputin. Their connection, while not sexual, proved to open a tear in the marriage with Tsar Nicholas II. As the people of Russia began uprisings, the role of the Tsar and the Romanov Empire dwindled, leaving Nicholas to stand down and dissolve his autocratic power. Russia was in the middle of fighting the Great War, a battle they were forced to leave to deal with the revolution in full swing at home. In the spring of 1918, after having handed power over to the people, Alix and her entire family were brutally assassinated. As Gelardi writes, perhaps one of the most gruesome and draw-out political assassinations ever undertaken. She made her mark, though paid the ultimate price.

Marie Alexandra Victoria (eventually Queen Marie of Romania) was born in 1875 and played a powerful role as well. An early love interest to England’s Prince George (eventually George V), Marie had a life-long affinity for the great monarch, her cousin. Marrying Ferdinand I of Romania in 1892, Marie helped support the kingdom by supporting her husband, though their marriage was strained from the early stages. While Marie did have six children, Gelardi posits that at least one came from a lover, though Ferdinand was by no means free from his own indiscretions. Marie attempted to remain above the fray, but did push for a strong Romania, especially in territorial expansion at the turn of the 20th century, when she sought the acquisition of Transylvania. With the onset of the Great War, Marie and Ferdinand had to make a choice about entering the fight and on whose side, with the Balkan sentiment rooted in Russia, but Marie having strong ties to her homeland and Kaiser Wilhelm II. The winds of change also blew as revolution amongst the people grew and eventually the monarchs were forced to abdicate and flee. Thankfully, their lives were spared, leaving the country in the hands of the next generation, as Gelardi recounts in her narrative.

Sophia Dorothea Ulrica Alice (eventually Queen Sophie of Greece) was another German-born princess whose early years were strongly influenced by her upbringing and her brother, Kaiser Wilhelm II, pushed for a strong support of her homeland. When she married Constantine I of Greece, the couple soon began their family, which numbered six children. After Constantine’s father was assassinated, they rose to the Throne and faced a similar struggle to that of Marie, on which side to place their support during the Great War. Equally troubling was the Greek people’s revolutionary fervour, as Gelardi emphasises, which saw Constantine I abdicate and leave the country as Greece flirted with a republic. Sophie fought hard to stand by her husband, but also struggled with her nationalistic lineage, which found her torn between Germany and England. While Constantine was briefly welcomed back to Greece, he was forced to leave again in 1922, never to return. Sophie spent her latter years liaising with family in England and trying to bask in what glory remained at her disposal.

Maud Charlotte Mary Victoria (eventually Queen Maud of Norway) was the youngest daughter of Edward VII, making her a sister of England’s George V. An intellectual child, Maud eventually agreed to marry Prince Charles of Denmark (her mother’s country of birth) and began a somewhat quiet life. When Charles was asked to become King of Norway after the country sought independence from Sweden, they rose to become King Haakon VII and Queen Maud of Norway. Remaining far from the battlefields of the Great War, Gelardi posits that Maud was likely the only consort who was never forced to entertain entering the war. Watching the tumult around them, Haakon and Maud interacted with their relations, but were spared bloodshed and revolution throughout their time on the Norwegian Throne.

Victoria Eugenie Julia Ena (eventually Queen Victoria Eugenie of Spain), known as Ena to her family, was the youngest and likely entered the consort fray much after her other cousins. Content to remain at home, Ena eventually caught the eye of King Alfonso XIII and agreed to marry him. Unlike the required conversion that her cousin Alix underwent, Ena’s marriage required that she denounce her Protestant past and accept Catholicism. Ena did so, though received much criticism by the British and even her own family. Marrying Alfonso came also with accepting his philandering ways, though she sought to put this aside and reign as best she could. Six children joined their family and they weathered the storm of the Great War without being required to send troops to the front lines. Instead, they sought to begin an imperial exploration of Africa. With the revolutionary sentiments building across Europe, Alfonso XIII left Spain without abdicating in 1931 for a life of exile. Ena was left with her children to determine how Spain might see another generation return to reign. Ena got her wish when her grandson, King Juan Carlos I, ascended at the end of Franco’s fascist rule in 1975.

While only a snippet of the biographical information provided, Gelardi presents the reader with much on which to ponder. As noted briefly above, there were two other cousins who played a particularly powerful role during these times, George V of England and Wilhelm II of Germany. That these seven of Victoria’s grandchildren proved to be so prominent in 20th century politics is no small feat. What might be interesting to the reader is that the various consorts and rulers mingled with such ease and regularity. I admit that I am not up on my royal lineage or correspondence, but one does not likely see that nowadays. Still, as Geraldi argues throughout, the interconnectedness of the five female consorts shows both the strong parallels and obvious differences in their reigns throughout Europe. That the continent was shaped in vastly different ways is not lost on the observant reader. Gelardi said it best in this book: “Maud of Norway, Sophie of Greece, Alexandra of Russia, Marie of Romania, and Victoria Eugenie of Spain may have been marked out by their illustrious positions and glittering marriages. But it is ultimately their dignity, devotion to duty, strong sense of responsibility, and steadfastness in the face of adversity that distinguishes them and makes their stories both compelling and timeless.”

Gelardi’s brilliant piece offers readers a wonderful glimpse into the lives of these five women as well as the continent’s vast array of political and social differences. With a strong narrative that ushers the story forward, Gelardi weaves together a strong biography of all five consorts, using detailed research and history as her guide. Each chapter is full of interesting tidbits and superimposes the lives of all five, rather than offering individual glimpses. Gelardi should be praised for this, as it strengthens the argument of the connection these cousins had, even if their lives differed greatly. I found myself wanting to know more and yet stunned at all that I did ascertain from this piece. The perfect piece for me that offers a wonderful survey of Europe at the time, which is bolstered with what little knowledge I have. Geraldi is surely one historian to keep in mind when looking to expand one’s horizons. 

Kudos, Madam Gelardi for such a wonderful biography. I wish I had found this sooner in my journey, though am now left to scramble to read more about these women, their lives, and the other royals who influenced them at the time. You are now on my permanent radar for biographical pieces.

Ripper: The Secret Life of Walter Sickert, by Patricia Cornwell

Eight stars

Biographies come in all shapes and sizes, as has been exemplified throughout my binge over these past few months. Patricia Cornwell’s re-release of this biographical piece about Jack the Ripper offers not only a view into the horrible crimes that were committed in London’s East End, but also posits that Walter Sickert is the most likely suspect, providing ample proof. Cornwell offers a strong biographical sketch of both Sickert and the killings, while extrapolating the killing spree outside of the known five prostitutes. She pushes hard to substantiate her argument and uses some biographical data to show how Sickert cannot be discounted as one of the most likely suspects, even though he was a respected artist. Wonderfully detailed and presented in such a way that a novice such as myself could easily follow, Cornwell is sure to garner more interest in this updated version of this non-fiction book, though doubters and trolls are sure to remain active.

Jack the Ripper is arguably one of the most elusive and notorious serial killers of modern time. While the Ripper’s crimes hit London by storm in 1888, the inability to catch the killer soon brought the crimes to international prominence. That no killer has been found almost 130 years later offers an added level of mystery. Cornwell provides some backstory as it relates to Sickert in the early chapters, hinting at his troubled childhood marred with an apparently horrific penile deformity that required numerous invasive (and destructive) surgeries. This early ‘maiming’ might have fuelled his desire to exact revenge on those within the sex trade who were most vulnerable. Soon thereafter, Cornwell presents the murders of five female prostitutes and suggests a likely narrative, based on the police reports and media depictions. With what is known about the aforementioned deformities, the reader is left to choose which path they choose to take. Could Sickert have chosen these early women to exemplify that he was still virile or turned to those who would not necessarily judge him, as long as he had the money to pay? Cornwell also explores Sickert’s roaming nature, as he followed a path all his own, both to fulfil his artistic abilities and his interest in some of the stage work that he undertook. From there, she is able to provide the reader with some possibilities surrounding Walter Sickert’s involvement, based on his known location at the time. There were scores of mocking letters received by the police and newspapers attributed to the Ripper, allowing Cornwell to posit that Sickert may have posted these letters while he was touring with a troupe or had numerous letters sent from different destinations to dilute his guilt. Cornwell uses some of Sickert’s own personal correspondence to match up with the anonymous letters sent by the Ripper, as well as some of the other pseudonyms used by both the Ripper and Sickert. Of greatest interest to the reader might be that Cornwell is convinced that Met Police focussed only on the five prostitutes, which was likely only a small snapshot of the murder spree undertaken by Jack the Ripper. Cornwell offers up some proof, pairing murders into the 20th century with both Sickert geographic pairings or hints of the murders within Sickert’s own artwork. Sickert’s fame within the English art world proved strong as he was known to have taught a young Winston Churchill. While nothing is definitive, Cornwell provides readers with a strong case, admitting that she is focussed on a single suspect, for Walter Sickert’s guilt. All those involved are long dead and names have all but disappeared in the ether, though Cornwell, like the popular protagonist in her long-running series, Dr. Kay Scarpetta, seeks to bring the families some peace of mind. A well-researched and compelling book, those with an interest in Jack the Ripper may find it highly informative and entertaining in equal measure.

I will admit that I am not well-versed in the crimes of Jack the Ripper, so I came into this piece seeking information and to be persuaded over trying to dissect the arguments made. Cornwell does a wonderful job in laying the groundwork for Walter Sickert being Jack the Ripper, as well as showing that the killing spree was monumental, through it is impossible to offer up any confirmed tally. Cornwell juggles two biographies here while also trying to lay out a criminal argument, doing so effectively. She offered both a biography of Sickert and a history of the crimes, superimposing them to show that motive and opportunity presented themselves. Cornwell’s approach was, in my mind, less an attack than a collection of facts to strengthen her argument, which she openly admits not wanting to do. While she was attacked after the original version of this book for destruction of expensive artwork to prove her point, Cornwell tries to rebut those sentiments and assures the reader of her forensic approach to crime work. The latter portion of the book spends much time debunking the rumours that surfaced during her work and from the original edition. With haphazard attention paid to crime scenes at the time, Cornwell is stuck using the limited narratives offered at the time and can only explore some of the papers and pieces of art leftover now to push for Sickert’s guilt. Splices of DNA and analysis of paper could prove impossible to substantiate without ruining the original documents, thereby nullifying any further exploration on the subject. The reader is treated to strong arguments based in fact and will leave this book with a stronger knowledge of Jack the Ripper, Walter Sickert, and East-End London. A perfect addition for those who love true crime in an era where even Sherlock Holmes would likely have struggled to come up with a convincing suspect.

Kudos, Madam Cornwell for this compelling piece. While I am so used to your Scarpetta work, this was a refreshing look into your non-fiction mind. I am highly impressed and can only hope your search for justice is far from over.

My Beloved World, by Sonia Sotomayor

Nine stars

As the biography journey begins its final days, I returned to yet another female Justice of the US Supreme Court. I sought not only to learn about a strong woman, but also one who will lay out a strong memoir to shape her rise to judicial prominence. While some will remember my reviews of pieces by Justices Sandra Day O’Connor and Ruth Bader Ginsburg during this biography binge, they proved highly informative, but lacked a true chronological build-up and left me wanting more. Justice Sonia Sotomayor has written a strong historical piece that does what I have been seeking all along, tapping into her youth and the hurdles she faced growing up, both proving to be highly useful for the reader to better understand the woman who currently sits on the Court. With a strong pre-judicial focus, the biography presents her arguments in a clear fashion that the curious reader may find useful to better understand Sonia Sotomayor as a woman and a legal heavyweight alike.

Born in the South Bronx, Sotomayor opens by tackling two major struggles she faced as a young girl, a diagnosis of Type 1 (juvenile) diabetes and a less that calm home life. Her close-knit family showered her with love, even when money was scarce, but an alcoholic father added strain to an already troublesome home. Her Catholic school upbringing brought the fear of God and the nuns into the early narrative, peppered with Sotomayor’s passion to learn, an obvious escape from the fighting at home. It was only when she reached high school that Sotomayor found her niche through a teacher that took an academic interest in her. This scholastic passion grew as Sotomayor gained admission into Princeton and eventually Yale Law School, where she continued to excel. These were the early 1970s and affirmative action was being bandied around Admission Offices across universities. Sotomayor addresses this, but makes a strong argument that her grades propelled her, even if certain doors may have been left open a crack. Of particular interest, Sotomayor seems never too have forgotten her roots, even during her Ivy League education. Her continued success baffled her at times, though she never forgot from whence she came, reminding the reader of her extended family and treks back to the Bronx whenever she could. Sotomayor also talks about a Hispanic Civil Rights Movement and how universities were a hotbed to begin cultivating new and exciting opportunities to foster respect for her cultural roots, first within academic circles and then at a government level. After graduation, Sotomayor began a new round of struggles and adventures as she had to make a career out of her extensive education. She turned to life as a trial lawyer, where she was able to prosecute criminals of all types, but also had epiphanies about the disparities of the legal system as a whole. Sotomayor used this as another building block in her creation of a legal and judicial foundation, striving to bring balance to a jaded and money-fuelled system. Tackling many cases, Sotomayor had a larger goal, to reach the bench and chose to enrich her life in private practice, where she might be able to hone some of her strong civil law skills. Many saw great possibilities for Sotomayor, pushing her towards applying for consideration of the Senate’s Judiciary Committee for a Federal District Court post. In the waning chapters, Sotomayor offers the reader some of the process involved therein and quickly ties up her narrative soon after her appointment. A strong first piece in a well-grounded memoir, Sotomayor is sure to garner much interest by any who take the time to read what she has to offer.

Sotomayor provides a strong foundation for the reader in this memoir, by pulling on her upbringing, education, and personal struggles. The narrative is not only clear and concise, but flavoured with the power of hindsight and recollection, synthesising events and ideas that might have been lost at the time of their emergence. Presenting herself humbly, Sotomayor allows the reader to judge for themselves as to what they think about this most accomplished woman. While I would have liked a section dedicated to her ongoing judicial work, Sotomayor admits in the forward that this would not be included. One can speculate that she wanted to remain impartial while sitting on the bench, but leaving the reader to wonder what might be in store in the second half of this telling memoir. Honest and told from the heart without turning into a tell-all, Sotomayor invites the reader into some of her most personal struggles, while staying true to all those who have helped her along the way. Truly a woman of much power who has seen much in her life, Sonia Sotomayor is a role model for many who know the power of determination.

Kudos, Justice Sotomayor for sharing so much about yourself. I came into this with such little knowledge about you and the life you led, but leave with much respect and a list of questions.

Princesses: The Six Daughters of George III

Eight stars

On my biographical journey, I have come across a number of interesting characters, as many who have been following my reviews will surely know. Those who have made their mark on history are of particular interest, as it allows me to delve into curious parts of their past and determine how their choices eventually helped shape the world in which I live today. While many will know some rudimentary events surrounding George III (both fact and fiction), Flora Fraser seeks not only to shed some light on his life, but the role his daughters played at Court and throughout Europe. Fraser presents a strong biographical piece to exemplify what these six ladies of the House of Hanover did during their lives. With three who never married and only one who bore a legitimate child, their impact proved somewhat buried in historical tomes, eluding the amateur history buff. Curious and attentive readers will applaud the detailed analysis offered by Fraser in this unique piece, which explores their lives, sandwiched between two long-reigning English monarchs.

George III, whose Hanovarian bloodline had ruled England for much of the 18th century, proves to be the central character in this biographical piece, or at least his impact is felt throughout. George III and his wife, Princess Charlotte, began building their familial empire by having children soon after they wed, producing a few princes, which would eventually total nine male heirs. The six princesses, peppered amongst their brothers in order of birth, could be used to fortify the bloodline and expand the king’s control into foreign lands. Princesses Charlotte (called Royal), Augusta, Elizabeth, Mary, Sophia, and Amelia all found their lives woven into the larger narrative of their father’s reign. As Fraser shows throughout, George III loved his daughters deeply, though they came in such succession and became so numerous that he was not able to have strong individual relationships with any of his children. George III had Parliament pass the Royal Marriages Act, which required the sovereign’s approval of any marriage before it could be permitted, to stave off marriages that would bring no lasting power to the English Throne or might dissipate control, should a female offspring be married off. This proved a strong attempt to curb less than useful marriages amongst some of the older princes, but did not negate them, as Fraser recounts that many married in secret. Without their father’s sanction, the princes could not have their marriages approved and therefore left any offspring out of the line of succession, thereby leaving it up to the princesses to marry well and potentially bear a future king. 

George III’s brood eventually totalled fifteen(!), throughout much unrest, particularly through the American colonial upheaval. Fraser shows that the Sovereign’s focus was firmly rooted in quelling these issues and the princesses matured without a strong paternal figure. Maternally, Queen Charlotte was constantly with child, leaving her a less than powerful influence over her own daughters as well. It was expected that the princesses would remain at Court and act in accordance with their station, attending parties and balls, where many princes and men of influence might attend. However, then aforementioned Royal Marriages Act proved daunting as well, leaving the princesses to choose from a small group of men approved by George III. Looking to his Hanovarian past, Princesses Charlotte and Elizabeth were sent to the German states to marry and strengthen relations with England, the former having a child who died while Elizabeth remained childless. Princess Mary eventually married the Duke of Gloucester, though bore no children. The other three never did marry, therefore their role in the line of succession was nil and their personal exploits proved to be minimal, even as Fraser seeks to sketch out some of their time at Court. 

George III’s madness also played into the princesses lives quite significantly, as they were forced to watch their father’s acuity deteriorate over time. Fraser mentions that this mental fog could, on occasion, keep the king from realising that one of his daughters had died, further questioning his ability to rule and instigating a panic in the line of succession. During a period of regency rule by the Prince of Wales, the princesses were forced to curry favour with their brother in order to find matches or live at Court that would appeal to everyone. Fraser mentions that this period proved a strain on the princesses and left the English Court in some disarray. A quick domino effect left the princesses to watch George III die, and the Prince of Wales become George IV. This was short-lived and soon William IV ascended to the Throne, but he was also struck dead. The only remaining legitimate heir was the daughter of Edward, the Duke of Kent. Queen Victoria thereby emerged and began her lengthy reign. Fraser uses the latter chapters to tie off the lives of the five princesses who lasted into adulthood and reflects their waning years against the early time of Queen Victoria. While the queen was able to foster strong relationship with her aunts, Fraser hints at the fact that these women, whose lives began during the lengthy reign of their father would end with another royal juggernaut pushing the monarchy through the 19th century. Fascinating to extract some historical context to these women, whose footprint is barely felt in history.

Fraser’s approach proves to be highly unique and very interesting. Subtle arguments that the lives of these six princesses were significantly influenced by the life of their father cannot be lost on the attentive reader. Fraser seeks to individualise the lives of each, though the chapters that discuss them are superimposed with the progress (or regression) of George III’s time as king. Equally strong in the arguments presented is the premise that with so many children, one might have suspected that a larger reach might have been procured for the English or that several monarchs could trace back to George III. The narrative remains crisp nonetheless and allows the reader to delve into a significant amount of history while not getting too bogged down by events. It is quite difficult to obtain a thorough and all-encompassing biography of the six princesses in one narrative, though Fraser offers a wonderful overview and weaves the impact each played alongside George III’s reign. Surely this piece serves as a wonderful springboard to other works that might exist for the curious reader, though little is to be said that Fraser did not coax out of her diligent background research. A worthy investment by any reader who wishes to expand horizons and knowledge of the European scene at the time.
Kudos, Madam Fraser for this well-researched piece that introduces readers to some of the great advances women in the House of Hanover would make in decades to come. I will be sure to keep my eyes out for more of your work, which proves educational and entertaining in equal order. 

Victoria: The Queen: An Intimate Biography of the Woman who Ruled an Empire, by Julia Baird

Nine stars

As Canada prepares to celebrate its 150th birthday, I felt it high time to look back and explore the life and times of our first monarch, Queen Victoria. Much of the country was either shaped or influenced by this British monarch, whose reign was only recently surpassed by Queen Elizabeth II. Julia Baird offers a thorough and thought-provoking biography of Victoria, exploring and dispelling many of the key events and stories that history have attributed to this 19th century wonder. Baird’s presentation sheds Victoria in three distinct lights that the reader will notice throughout the narrative: Victoria the woman, the politician, and the monarch. Striving to provide a clear understanding of Victoria and the influence she had over much of the world, Baird provides the reader with a stellar piece that opens the door to further exploration.

While her enduring reign over Britain and the British Empire may have made Victoria seem super-human, she proved to have common concerns, like many of her subjects. Born in 1819, Victoria arrived amidst an ascendency crisis in Britain. Fifth in the line of succession after the recent death of her grandfather, George III, Victoria was vilified by some of her uncles, all aged and without legitimate heirs to the Throne. Baird attributes this to George III’s Royal Marriages Act, which required the monarch to approve of all unions before they could be officially accepted by Parliament. A few deaths and no heirs to take their place left Victoria in a position to rule at a young age. Victoria ascended to the Throne at nineteen, without a husband or significant love interest. Enter Albert of Saxe-Coburg and Gotha, who boldly presented himself to his cousin and determined to convince her that they should wed. Hesitant at first, Victoria soon acquiesced and they married, beginning what some have called the strongest romantic relationship of any English monarch. Victoria soon began a period of almost constant pregnancy, giving birth to nine children in total while still running the country (and Empire). Interestingly enough, while she held much power Victoria willingly handed the reins of power to Albert, as women of the time might have done, without a second thought. Baird amply illustrates the long and devoted marriage that Victoria and Albert shared, growing stronger with each passing year, during which time Albert was able to make many of the household (and monarchical) decisions without Victoria’s protest. Equally shocking, as Baird presents it, Victoria remained a devoted mother as well, tending to the nine children and her subjects as effectively as possible. To bestow so much onto the shoulders of one woman is, in my opinion, more than can be expected, but Victoria did it all masterfully. When Albert fell ill and eventually died in 1861, Victoria was beside herself with grief. Baird supports what many have said that Victoria continued to reign, but never passed out of her period of mourning. Much speculation arose as John Brown soon appeared on the scene, Victoria’s manservant, which Baird addresses as being rumoured to be her lover for the years before his death. (The reader can make their own decision after reading Baird’s curious discovery surrounding Victoria’s requirements during her preparation for burial.) Surely the friend and support that Victoria needed in her time of despair, Brown, too, succumbed earlier than one might have expected, dealing Victoria another blow. As a mother with grown children, Victoria sought to ensure her daughters married well and history proves that this was surely the case. With her son ‘Bertie’ (the future Edward VII) in the wings, Victoria offered as much affection to her family as possible, while remaining in a state of grief for the loss of Albert all those years before. Even when the Crown bore heavily upon her, Victoria emerged as a woman of power and significance throughout her life. At her death in 1901, Victoria had lived a life full of remarkable joy and dreadful sorrows, the weight of the latter at times self-imposed. Interestingly enough, while Victoria did little at the time to bolster the role of female emancipation or women in a position of authority, the world looked to her after her death and lauded much praise and ceremonial titles that had otherworldly connotations. While a remarkable queen, Victoria’s qualities as as a woman cannot be forgotten. 

While surely not a member of either of Britain’s Houses of Parliament, Queen Victoria played a significant role in the political machinations throughout her reign. Soon after she ascended to the Throne, Victoria forged a strong friendship with her first prime minister, Lord Melbourne. Baird presents him as a father figure that Victoria lacked in her formative years, though some may also speculate a strong affinity or ‘crush’ on Victoria’s part.Needless to say, Victoria did not hide her sentiments and tried all she could to keep him and the Whigs in power. From this point forward, Baird presents Victoria as having a strong and lasting influence over her prime ministers and their cabinet choices, as well as messages she presented in the numerous Openings of Parliament. Victoria’s strong-headedness becomes apparent as she clashed greatly with William Gladstone, Prime Minister on four occasions. Baird illustrates the dynamic between these two and how they could not find common ground on much. These were formative years for England and the British Empire, a time in which Victoria sought to have her voice heard. Issues of Irish famine, steep grain tariffs, Irish Home Rule, and imperial expansions into Africa fill the narrative, areas in which Victoria offered her own opinions, though she was happy to help shape solutions through her actions as a part of the political machine throughout the time all ten of her British prime ministers led governments. In exploring Victoria’s hands-on approach, Baird discusses something that is taken for granted in Canada, the role of a constitutional monarch in the larger process. Baird refers to writings by Walter Bagehot, who sought to explain the loose English Constitution and the place in which the monarch rests. Advice differs from influence and acceptance from determination, though much of the process was steeped in precedent and not firm law. Victoria played a much more active and quasi-partisan role than might have been expected (or allowed?) today, on either side of the Atlantic, though it was surely interesting to see her interpret and play such a transparent role in her choice of engagement at the top of the parliamentary process. Victoria may never have faced the ever-growing electorate at the ballot box, but her political influence could surely be felt throughout her time on the Throne.

Until recently, Victoria held the record for the longest-serving monarch in English history, surpassed by the current Elizabeth II. During that long period on the Throne, Victoria saw not only the Empire transform, but also her own family, as well as herself. From the early years as a young queen, Victoria was more apt to get in the middle of things, playing the role of innocent monarch, ignorant of her larger ceremonial role. However, as mentioned above, Victoria soon became a monarch that sought to steer England in a specific direction, at least to the best of her ability without facing a parliamentary election. The Empire grew significantly during her time, turning her from English monarch to that of numerous countries all over the world. For as regal as she was, Baird presents Victoria as a monarch who took her own family life to heart and did not espouse the stoic nature to which many are accustomed with today’s queen. Victoria’s decades-long mourning for Albert and reclusiveness for a significant period may, for some, lessen the impact of her reign. However, using her Jubilee celebrations as any measurement for her support, Victoria was loved by many and adored by her subjects. Longevity cannot be the sole factor in the praise she received for her Golden Jubilee, nor the deference paid to her around the world and especially throughout Europe. Truth be told, she had her bloodline running through many of the significant monarchies of Europe, but even still, she was not one to hold back her opinions when it suited her. The British Empire expanded and many could feel the Victorian impact, a legacy that has long outlived her reign. Victoria kept the Empire together, which was surely no small feat, and left England ready to face the 20th century by the time she died. Influential without being dictatorial, Victoria’s influence as a monarch lasted throughout her long life.

Baird has taught us much in this biography, though many questions remain. Through her powerful narrative abilities, Baird takes the reader on a winding journey through the life of Victoria and the creation of a firm Empire, which continues in the form of the British Commonwealth. Born at a time when the English Throne was still seen as as despotic seat, Victoria sought to soften the blow in her own way. Baird effectively argues numerous points of contention in the book, which may leave some readers somewhat distraught, though the supporting arguments are strong and prove convincing. While I might show some bias, I would have liked to have seen a little more on some of the monumental aspects of the Empire’s growth, particularly the formal addition of Canada as a country in 1867 or Australia’s lobby and eventual inclusion in 1901. True, Victoria remained in mourning during the Canadian build-up, which might limits Baird’s ability to track down sentiments and strengthen the narrative, but as the largest Dominion in the Empire, one might have expected it receive some place in this biography. On the flip side, Victoria’s waning years occurred as Australia set to formally distinguish itself as an independent country, leaving little Victorian influence. Tackling such a large project may have been daunting, though Bard synthesises Victoria powerfully, getting detailed when needed but not drowning in the minutiae that was surely tempting over such a long reign. The reader can sail through the biography with ease, seeing Victoria as an influential (and influenced) woman whose love for family trumped all else. Any who are curious about this wonderful woman ought to give Baird a chance to offer formal introductions in this stellar piece of writing.

Kudos, Madam Baird for such a powerful biography. I did learn a great deal about Canada’s first queen. I can only hope to find more of your work and marvel at the detail you add to the narrative.

My Own Words, by Ruth Bader Ginsburg (with Mary Hartnett and Wendy W. Williams)

Eight stars

Biographies of strong women are greatly appealing to me, which led me to acquire and commence this book by Justice Ruth Bader Ginsburg, supported (and likely guided) by Mary Hartnett and Wendy W. Williams. It was only after I began reading that I realised that I was again not receiving a memoir or biography, but a compendium of thoughts and reflections by a female Justice of the US Supreme Court, known in the vernacular as the Notorious RBG. The reader attentive to my reviews will likely shake a shameful finger at me for not checking ahead of time, as I fell into the same pit when I tried a recently read by Justice Sandra Day O’Connor. Still, in pushing through this collection by Justice Ginsburg, I found myself pleasantly surprised and felt that these entries did provide a biographical account of her life, as well as some key moments in her judicial career. Hartnett and Williams did a masterful job of pulling things together and have, as is pledged in the preface, commenced work on an actual biography of Justice Ginsburg. A great piece to complement my earlier read of the aforementioned Justice O’Connor book, which provides strong arguments for equality and gender parity in America, as well as showing how legal matters are a quintessential part of the everyday lives of whose who live in democratic countries. Curious and legal-minded readers will likely enjoy this piece as they take Justice Ginsburg’s own words to portray the state of American (and world) jurisprudence into account.

Born to a Jewish family in Brooklyn, Ruth Bader became highly interested in the law at an early age, or perhaps the idea of equality, watching news of the Second World War fill headlines on a daily basis. The book offers a brief biographical background before presenting some public school publications the precocious Bader prepared, discussing the importance of the Rule of Law and how it promotes equality for all. Moving onto university and into law school, Bader (who would marry and become Ginsburg) showed her aptitude not only for equality, but promoted the idea of sex and gender parity in the United States. Attending law school at a time when she was still in the significant minority (both for her being a woman and Jewish), Ginsburg forged onwards and left with no job offers, even though she achieved high marks and showed great promise. Serving as an academic, Ginsburg fought tirelessly to put women on the map and promoted their equal protection under the law, as guaranteed in the US Constitution’s Fourteenth Amendment, though she was sometimes forced to wage war against the Almighty Congress and its many laws. Hartnell and Williams exemplify Ginsburg’s views in many speeches and summaries of key cases she fought, some reaching the Supreme Court, while never giving up in her attempt to push for complete equality amongst those who sought remedy. When elevated to the US Court of Appeal for the DC Circuit, Ginsburg took a different approach, defending the rights rather than advocating for them in numerous decisions (and dissents) from the bench. It was here that she met and fostered an early friendship with Judge Antonin Scalia (Nino), who may have been diametrically opposed to her ideological stance, but respected her a great deal. Their friendship continued through the years and the ideological clash resumed when Ginsburg became a Supreme Court Justice in 1993. The authors show how Ginsburg supports the varied sentiments of Justices on the Court, but remains firm of the collegial nature of the nine on a daily basis. Dipping into the appointment process to become a Justice of the Court, Ginsburg recounts the nervousness she felt and the smooth sailing she received at the hands of the Senate Judiciary Committee. Once on the bench, she began the role as junior Justice, guided by Justice O’Connor, who had paved the way for much success and injected that fresh perspective on the bench and in chambers. From there, Ginsburg schools the reader on some of the many quirks of the Court, including its procedures and its place in the larger international realm of judicial interpretation. Ginsburg does not seek to knife anyone in the back, but she does not deny the ideological divisions on the Court throughout her tenure that have pushed interpretations in many directions, including in the areas of abortion, affirmative action, campaign spending, and healthcare. The latter portion of the book focusses on some key dissenting opinions, particularly since the Roberts Court came to fruition, and she, Ginsburg, became the senior ‘liberal’ justice. Ideal for those who want a sneak peek into what might be to come in the biography, Hartnett and Williams provide the reader with a highly comprehensive piece that offers a wonderful examination of the life and legal thoughts of Justice Ruth Bader Ginsburg.

I feel that I can justify this piece as part of the biography marathon I am undertaking, as there is a degree of wholeness to its narrative. Using speeches and comments made directly by the Justice, Hartnett and Williams paint the most honest and comprehensive view of the legal flavour of Ginsburg’s thought processes. While it is impossible to offer a complete view, the cross-section on offer and the variety of topics provide the reader with a great insight into this most interesting woman. However, as some others have brought to my attention, while the book is well constructed, repetition occurs and proves somewhat of a thorn in the side of effective flow. Speeches from an early chapter prove to have the same ideas and quotes embedded in later narratives. Some cases receive the same stress throughout the book, leaving the reader to ponder skimming to get to new and meatier subjects. That said, the impact is felt and the overall presentation is thoroughly captivating and sound in its foundational approach.

While I do not usually do this, I could not deny myself the right to comment on the different formats of the book. I listened to the audio version and thoroughly enjoyed it. What added to the experience was that the speeches and actual verbal delivery moments were captured, where possible, within the recording. Justice Ginsburg speaking to a group, delivering a dissent, or even offering a bench opinion. These ‘real life’ moments thickened the delivery and made it all the more powerful. I suspect that simply reading them on the written page might lessen the impact or leave the reader feeling out of touch with the delivery. The book is called MY OWN WORDS, so why not capture that by listening and hearing them as they came to pass?

Kudos, Madams Hartnett and Williams (alongside Justice Ginsburg herself) for this insightful piece. I cannot wait for the full biography to see more of your sentiments. Recent clashes with certain candidates and eventual victors will certainly add more spice and flavour to what you have already said.