First and foremost, a large thank you to NetGalley, Jo Nesbø, and Random House Canada for providing me with a copy of this book, which allows me to provide you with an unbiased review.
The reader can always expect a treat when Harry Hole re-emerges on the written page. Nesbø’s latest novel is no exception. While Nesbø has taken his protagonist on many a wild ride, there is always something sinister and dark that pulls the reader (and the jaded murder detective) back into the mix. As the novel opens, a woman is on a date in a local watering hole, having trusted the swipe-match benefits of Tinder. When things do not go as planned, she returns to her flat, seemingly alone. However, someone lurks in the shadows, attacking her before leaving a dead body with a distinct mark. When Oslo Police begin their investigation, they cannot help but wonder if this mark, along the neck, could have been left by… a vampire? When another body turns up and there are no concrete leads, a familiar name begins being bandied about as a possible lifeline to solving the case. Harry Hole is now an instructor within the Police College, happy to lecture and discuss the former profession that brought him much satisfaction, but also fuelled his worst nightmares and led to his downward spiral into a personal abyss. Agreeing to run a parallel investigation, Hole begins looking into the murders, which hold a very unique and possible fetishistic curiosity. As Hole digs deeper, his recollections of being a part of the police return, more intense than ever, though he also cannot dismiss the angst brought on by certain of his colleagues. When a personal emergency strikes, Hole must find the time to piece of the shattered pieces, which not letting the case disintegrate. A suspect comes to mind and Hole does all he can to bring them to justice, entering a violent confrontation. The evidence is all there, as Hole learns more about the dark world of vampirism. However, with such an open and shut case, questions remain as to whether the hunt for answers and the prime suspect will survive the ‘light of day’. A powerful thriller that steeps a narrative in the usual dark aspects. Nesbø fans will devour this piece and there are sure to be new fans coming out of the woodwork.
I have long been a fan of the European mystery and thriller genres, specifically those which emerge from the Scandinavian countries. I find that they are not only better crafted, but offer the reader a richer sense of the narrative while filled with dark twists. Nesbø has proven that he not only has a handle on the genre, but that he is able to push his protagonist well past the point of no return. As Harry struggles, the reader follows suit, wishing for some happy outcome, only to be led away from the easy solution. Nesbø tells a dark story, tapping into the still-buzzworthy ‘vampire’ theme, but does not inject that Hollywood flavour, choosing instead to flirt with the obsessive dark side of bloodlust and all things ‘haemo’. While the reader synthesises this, Nesbø pushes past storylines into the present piece and forces the reader to balance multiple tasks. Rich in its character development as well, the reader draws close to some individuals who grace the page, while hoping others will meet their match. I remain in awe of the high calibre of the writing, especially as the story has been translated into English. I have often commented that if the piece can hold strong after it has been linguistically altered, imagine the force behind the original Norwegian presentation.
Kudos, Mr. Nesbø for another impressive novel. I have a die-hard fan and you are still able to push me in directions I could not have seen coming.