James Patterson and Duane Swierczynski venture into a newer medium for this piece, the ‘direct to audio’ production, where a handful of talented actors portray the story for the listener to enjoy. A play that no one knows anything about, a genius actor/director with a plan, and an audience that is lapping it all up. Welcome to ‘The Guilty’ and all that it entails. A unique approach to a murder mystery, but one I quite enjoyed, if only because it was a quick experience and permitted something different.
Osmond Box is a living legend, the King of Broadway some may call him, even if he is reclusive and few have seen him. His productions are always over the top and audiences have no idea what they are going to receive. The house is full and people await the stage lights for everything to begin.
As the evening progresses, things become more and more mysterious. What begins as an apparent reality show on stage soon turns dark, as Box accuses his fellow actors of heinous crimes. Is it all part of the script or improvisational? And when a stage gun turns out to shoot someone, who is the murderer?
With cell phones confiscated and the doors locked, no one can leave as things progress. Audience members gawk in awe and await some sort of resolution. When all is said and done, the police arrive to question many of those who witnessed the event. Was it murder? Has Osmond Box done it again and pulled off the greatest theatrical production of all time? A great piece that Patterson and Swierczynski concocted as they leave the listener guessing.
This was definitely an interesting spin for the master of storytelling, using one of his best collaborators to develop the piece for listeners. Told solely through audio, the story develops and keeps the listener enthralled as they try to piece it all together. Some may balk at having to listen, rather than flip through the pages, but it was certainly the experience that will keep people talking for months.
Told through nine episodes, the story progressed well and held my attention throughout. What is going on with the actors and how will things progress with each passing moment? There was just enough character development throughout to keep me satisfied and the plot advanced in odd ways, but I thoroughly enjoyed it. While dramatic reproductions are not always my thing, I did enjoy the different perspectives and voices telling this story, as it breathed some life into the piece and left me wanting more.
Kudos, Messrs. Patterson and Swierczynski, for this interesting experiment. I felt it was a success and am eager to try some more of them soon.
A Book for All Seasons, a different sort of Book Challenge: https://www.goodreads.com/group/show/248185-a-book-for-all-seasons