Having long been a fan of Stephen King, I was curious to tackle this novel, which pairs the King of Horror with his Prince of Thrills (?), Owen. Working together on this massive piece, the reader is able to see the Kings’ respective writing styles and notice how well they mesh together. In the town of Dooling, the discovery of two meth cooks are found murdered seems to be a day like any other, though a stranger may be behind this bloody mess. Normalcy ends in this community when women around the world are going to sleep and not waking up. While in these comatose states, they are discovered with an odd growth on their faces, spindly white thread that soon becomes a cocoon that surrounds their bodies. Panic ensues and those who seek to remove this cocoon from family and friends are met with a rabid response, sated only by the violent murder of anyone who dare disturb the woman’s slumber. This odd occurrence is tied to sleep—but only of women—and is soon labelled Aurora Sickness. As the folks of Dooling do all they can to understand this phenom, the women are taking matters into their own hands to stay awake. Chaos reigns as caffeine and other stimulants—both legal and illegal—are sought by anyone possessing the XX chromosome, in an effort to remain awake. When rumours hit the internet about a scheme to ‘torch’ the cocoon-bearers, this only adds a new layer of concern in Dooling, where riots and vandalism have changed things for the worse. Tucked away in the prison is that aforementioned stranger, Eve Black, who appears to be immune to the cocooning and enjoys restful sleep without consequence. Does Eve have something to share with those left awake in Dooling that might bring an end to the madness? What happens to those who remain asleep in their cocoons? These answers and more await the reader as they flit through this massive novel—like moths on a summer night—and are enveloped in a story that has all the markings of a King classic. This joint effort should leave fans of the elder King quite pleased and raise interest in Owen’s own writing.
Having never read Owen King before, I must use my knowledge of his father’s writing to provide comparative analysis for this review. I will be the first to admit that reading Stephen King is not for everyone, though his novels as not as horror-based as they might once have been. Their uniqueness lies not only in the number of pages used to transmit a story, but also the numerous tangents taken to get from A to B. While that might annoy me with some authors, I find solace in the detail provided on the journey when King is at the helm. As King is wont to do, he supersaturates the story with scores of characters, all of whom play their own part in the larger narrative. While this may annoy some readers, I find it—bafflingly—exciting as I keep track of all the mini-stories that develop throughout. That being said, a few characters rise to the forefront in this piece and help bridge the story together. Lila Norcross proves to be a pivotal character, both in her role as sheriff and a level-headed player in town when chaos begins to rear its head. Lila has much going on and her character must face many struggles throughout the story, but she never backs down from what stands before her. Clint Norcross, Lila’s husband and prison psychiatrist at the women’s facility in town also plays an interesting role, in that he seeks to explore the lives and thoughts of those incarcerated, as well as serving as an important liaison for Eve Black, currently being detained in the ‘soft room’. Eve Black remains that character that King uses in most of his novels, the unknown individuals who brings chaos to the forefront while remaining calm and even endearing. No one knows anything of Eve, though her character becomes significant as the story progresses. Turning to the story at hand, it is both complex and simplistic, allowing the reader to pull something from it that might appeal to them. The curiosity surrounding the cocoon remains at the forefront of the plot throughout and why women are the only one’s being saddled with this remains a mystery. Both Kings seek to have the characters explore this anomaly throughout the novel, while also facing some of the concerns of a town disintegrating at the hands of its female population falling by the wayside, particularly when Eve’s immunity becomes common knowledge. There are many wonderful plots to follow within the story, which develop throughout the detailed chapters. The reader will likely have to use the character list at the beginning of the piece to keep everyone clear, though the detail offered allows a quick refresher for the attentive reader. The writing style is clearly elder King, with its meandering way and a narrative peppered with commentaries. It is for the reader to sift through it all and find the gems that will help them better appreciate the story. Chapters are broken up into numbered breaks, assisting with the literary digestion process, which allows the reader to better appreciate the magnitude of the story before them. I enjoy this style of writing, though am not entirely clear what flavour the younger King added to the story, as I am ignorant to any of his past published works. That being said, the collaborative King experience was one I thoroughly enjoyed.
Kudos, Messrs. King, for this excellent collaborative effort. I found myself enthralled until the very end and hope you’ll consider working together again.
A Book for All Seasons, a different sort of Book Challenge: https://www.goodreads.com/group/show/248185-a-book-for-all-seasons