In the final of her short memoirs, Carrie Fisher turns her focus onto the inevitable Star Wars franchise and her memories from being on the set in 1976. As the book opens, Fisher lists a number of memorable occurrences from the year, all of which made the filming of a low-budget space fantasy film pale in comparison, or so it would seem. While she does not mention it explicitly, years of excessive drug use and electro-convulsive therapy (ECT) surely scrambled some of the memories and would make them less than pristine. However, Fisher mentions discovering the diary she kept while working on set, which jogged her memory enough to explore many of the events from that spring. While she was the daughter of the famous duo, Debbie Reynolds and Eddie Fisher, Carrie was still forced to go through the rigours of auditioning for roles and emerge with less than stellar results in the early days. She began her cinematic life with a small role in Shampoo, a film written and starring Warren Beatty. Fisher recounts a fairly odd interaction when she, as a mere seventeen year-old, was ogled by Beatty as he decided if she ought to go bra-less on set for her one scene. From there, it was trying to sell herself for either the role of Princess Leia in Star Wars or Carrie in the eponymous film based on the Stephen King novel. George Lucas, a seemingly mute troll, saw much potential in Fisher playing Leia and so began the journey. What some have come to find as the most revealing portion of the memoir (and to which Fisher admits she waited forty years to share) is an extensive discussion about off-screen interactions between Fisher and Harrison Ford. Feeling that four decades is enough time to have held back and fearing the affair could be smeared if revealed after her death (does anyone else notice the coincidence?), Fisher discusses a kiss in the back of a production car between Ford (thirty-four) and herself (nineteen), that led to a weekend of sheet wrinkling passion and was repeated throughout filming. Fisher wrestles with admitting that Ford was married and eventually surmises that it was likely more loneliness than a true connection between them, which is further substantiated when Fisher adds a collection of her diary entries that shows the infatuation she had for Ford. These entries from her teenaged self are offset with a collection of sentiments having fermented for four decades, which makes what happened in 1976 seem less scandalous to the reader. Fisher ends the memoir with some memories of trying to ‘sell’ this film that seemed to be doing so in its own and begins what became a massive science fiction franchise, alongside the rollout of trying to keep her stardom alive alongside interactions with many a quirky fan. An interesting, though very topic-specific, final memoir in the Carrie Fisher collection, the reader can bask in much of its raw honesty alongside a number of humorous anecdotes.
I suppose I would call myself a fan of the Star Wars films, though I am by no means one of the hardcore variety. I did find some of these behind the scenes stories to be highly entertaining and did enjoy Fisher’s take on her interactions with Harrison Ford, though do not feel it was either as scandalous or as significant as some might find. While it was insightful to learn that Fisher felt so strongly for her co-star, there came a time when the actual journal entries became too much. It became all to apparent that Ford and Fisher were on different planes (might I say ‘galaxies’ and not have a symphony of eyebrow raises?), where the young Leia was awestruck by the suave Solo. These entries were well presented, though they soon became filled with poor poetry and supersaturated in angst. I digress, but a large portion of this piece focussed on that interaction and the fallout of their (love) affair. Fisher’s insights have me wanting to learn more about the backstories of Star Wars production, perhaps away from the sexual escapades of its prime actors, though Fisher does keep things discrete and professional while not denying the feelings she had at the time and recollections of them all these years later. Throughout all three pieces, I have come to realise that Fisher is a wonderful wordsmith, delivering humour and passion with so many verbal alternatives that the reader will see that this high-school dropout surely learned a great deal in the School of Life. Perhaps more of a tell-all than past memoirs, Fisher offers more seriousness than her usual humour in this instalment, unfortunately the last.
Kudos, Madam Fisher, for all the honesty that you explored in this final collection of memories. You will be missed and your name will forever rest in the minds of many as Princess Leia, though one can hope the moniker of ejaculatory assistant fades in time.