While I have struggled with James Patterson’s writing for a number of years, there are times that he comes up with a gem, this book being one example of that. While it strays from his usual fare, Patterson has collaborated with Casey Sherman and Dave Wedge to pen a non-fiction piece about John Lennon and the Beatles. The authors pull together a succinct, yet comprehensive, history of the group, with a primary focus on Lennon, documenting his rise to fame and tragic murder in December 1980. Easy to digest and packed full of exciting details, this is a great book for those who love all things Beatles or those, such as myself, who know little but have always been curious.
The book takes readers as far back as the early days when found Liverpudlian youths were jamming around and trying to make music. It was the 1950s and society had yet to catch-up to the new craze of rock n’ roll, with many clubs and the older generation passing it off as scandalous and even devilish. The authors explore how these four boys came together to make music and solidified the new sound to appeal to the younger generation.
As the book progresses, the rise of Beatlemania takes over and many of their key moments are explored, both within the music scene and through their personal lives. The authors present a wonderful summary, getting into just enough detail to leave the reader wanting more. It is understandable how these four young men swept the world with their own style of music and how it captivated their fans in a variety of ways.
There is no shortage of post-Beatle exploration, particularly how the overpowering Yoko Ono arrived on the scene and all but led to the end of the group. However, it is not that simple, as the authors argue within the pages of this piece. The attentive reader will see the breadcrumbs and follow everything that happened to bring this about, culminating in four solo careers.
An eerie moment throughout the book are the short chapters focussed on December 1980, where Mark Chapman is plotting what he will do to John Lennon. While not entirely clear most of the time, Chapman has his reasons and impetus to target Lennon, as well as a piece of literature to fuel his fantasies. This is a great mix within the larger narrative and provides the reader a wonderful balance between what is going on and how it will all come to an end. I enjoyed the mix and its foreboding made the book even better.
While I am no music aficionado, I have often wondered about the history of the Beatles. Trying to comb through documents to see how they came to be, rose to power, and came crashing down all appealed to me, as well as some of the underlying commentary related to Mark Chapman. The narrative flow was perfect, offering just enough information to pique my interest, though not drowning the reader with dates, details, and name dropping as well. Short chapters offer that Patterson tease that fans of his work are used to seeing, pushing the larger story along. Well-rounded and full of interesting moments about which I had no idea helped keep me connected to the piece and wanting to learn more, at my own pace. I’m happy that I took the time to explore this book and everything I took away from the experience.
Kudos, Messrs. Patterson, Sherman, and Wedge. Your investigative work with this piece really caught my attention. This is a great collaborative team for non-fiction, investigative writing.
A Book for All Seasons, a different sort of Book Challenge: https://www.goodreads.com/group/show/248185-a-book-for-all-seasons