First and foremost, a large thank you to NetGalley, Carrie Stuart Parks, andThomas Nelson for providing me with a copy of this publication, which allows me to provide you with an unbiased review.
Always a fan of Carrie Stuart Parks and her writing, I was pleased to receive an ARC of this latest novel. Parks always brings her background in forensic art to the novels, tapping into what, for me, has been a unique approach to crime and investigation. That being said, she is keen to collect other breadcrumbs and scatter them throughout, giving the reader an exiting experience as they comb their way through the story.
LaCrosse, Washington is known for little and Samantha Williams likes it that way, An art teacher at the local school, Samantha becomes a hero when an SUV careens into the school and many are hurt. Having been in her own vehicle at the time, Samantha must come to terms with what happened, though is stymied when she cannot produce any proof of her identity to authorities, as it has been removed from her purse.
Confused and relying on others, Samantha must try to piece together what’s happened and who is trying to keep her from herself. Some of these answers begin to emerge when a reporter begins asking questions and digging deeper into Samantha’s past. Samantha soon realises that there are other odd goings-on in the area, including sets of remains that were long thought buried. Is there someone trying to stir up trouble? Samantha finds herself at the heart of it all, without any answers to offer.
At a local recovery house, Clan Firinn, some others are also trying to set things straight. There appear to be a number of mysteries all tied to an old government nuclear facility close to LaCrosse and no one is quite sure what to make of it. It’s this that triggers Samantha and memories of her past, not always good. The fallout is a spiralling like no other, as the truth emerges for all to see. What secrets await Samantha on her journey and how could learning about her past be the key to understanding the present happenings? Parks offers an intriguing piece that never stops evolving.
I remember discovering the works of Carrie Stuart Parks and being instantly pulled in by the world of forensic art. It was a branch of investigation I had never considered and appeared to have ways of really stirring up the pot. Since then, Parks has evolved her stories into one-offs that pack just as much punch, but focus on other perspectives as well, including a peppering of biblical references. Parks uses her strong writing abilities to pull the reader into the middle of the story and forces them to confront whatever the narrative is spinning. This works well, as she has a depth to her characters, which adds flavour to the story and keeps the reader feeling connected to whatever is going on.
One essential to a successful story for me would have to be a clear and developing narrative. Parks offers this as she concocts what she needs to keep things progressing throughout. The story moves and has many moments where it can gain needed momentum, be that through the introduction of a new character, plot twist, or even revelation that was once deemed inconsequential. Parks has had success in crafting her stories with these ingredients and continues to do so throughout this piece. However, there were times that I felt a disconnect to the story or its progression. I was not as affixed to events as I would have liked or even expected. The investigation into the accident that opens the novel, Samantha’s past, or even how Clan Firinn fit into the larger story; all of this proved hit and miss for me. This, in turn, created a sense of confusion or lack of excitement as I flipped pages. I saw a gem in some of the foundational narrative, but did not feel the impact as strongly as I might have liked. While I have seen this book marketed as Christian fiction, that should not deter readers. It does have some biblical references, but I would not consider it fuelling the progression or flavouring of the piece. Perhaps it is my mind space at the moment that has me feeling lukewarm, which is entirely possible. I have much respect for Carrie Stuart Parks and would encourage others to red this, as well as her other books, to come to their own conclusions.
Kudos, Madam Parks, for another well-plotted novel. I hope others see some of the strong aspects I did while reading.