As if he did not have enough on his plate, Michael Connelly has decided to launch a new series (or at least a standalone) that takes a new approach to policing, still in the busy city of Los Angeles. Renée Ballard is a well-established detective with the LAPD, working the ‘late show’, police talk for the 11pm-7am shift. It’s mostly picking up the scraps of the nightlife and directing cases to daytime divisions, but police work all the same. Called out whenever the need arises, Ballard is left without closure or any sense of propriety on the cases she catches. Working alongside a jaded partner, Ballard is forced to contain her excitement for the cases that come her way. During a single shift, two monumental cases land in her lap: the assault of a transgender prostitute, left for dead in a parking lot, and a shooting at a nightclub with three victims left to die in their own blood. Ballard chases up leads as best she can, in hopes of being able to see something through and bring some closure for herself. While chasing down some evidence on the assault, Ballard learns that the victim has odd marking on his body, as if there might be words embedded in the flesh. Could this be the work of someone using a less than typical weapon? Meanwhile, at the club, the shooting appears to be a form of ‘house cleaning’ with the suspected shooter likely known to the three victims. Just as Ballard is trying to liaise with the day shift and move on from the shooting, some evidence pointing to a fellow cop emerges. Worse, it could be her former partner, who hung her out to dry. While trying to confront him, Ballard discovers that he has been shot. Could this be yet another act of senseless violence in a city where gunfire competes with cricket chirps? While wrestling with her own personal demons, Ballard is taken captive for poking her nose around on these cases, but no one knows she’s gone missing. Will the lights go out for Ballard on the late show once and for all? Perfect for those who have come to love the Bosch series, Connelly flavours this book with just as much energy, though differentiates it in numerous regards.
When I heard that Connelly intended on beginning a new series, I was not sure how well it would go, as he was so very busy. My worry intensified (I know, I worry about things I cannot control) when I discovered it would be another cop series, thinking that it might be a female Bosch or, worse yet, one in which the main character stayed on the narrow path. However, Connelly has been able to craft the Renée Ballard character to reflect the same grit of the LAPD, but with strong differentiations from the(in)famous detective. Ballard offers readers an interesting perspective, not only as a woman, but one who is single and not tied down to anyone else, save her dog. Having met her fair share of issues on the job, Ballard has had to make a name for herself and, at times, reinvent the person she wants to be on a force that still seeks to shuffle her to the side. Working that night shift makes her seem like a paper pusher and set-up for the glorious day shifts, who are able to score all the points and win glory at every turn. However, Connelly offers enough in this character that the reader can, at times, forget that and focus on wonderful police work. The story is strong and keeps the reader hooked, juggling a few cases simultaneously. While it is impossible to dream up new and exciting new angles to the crimes of the L.A. streets, Connelly chooses cases that can expand as the narrative explores the darker sides to the underworld. Keeping things realistic and succinct, Connelly is able to tell his story and utilize his characters effectively, while not getting too far-fetched. With almost two dozen Bosch novels to his name and a genre that is saturated with crimes in the big city, Connelly has been forced to show how Renée Ballard is not only unique, but also deserves a spot on the scene. I am eager to see when and where she will make her next appearance, as Connelly has a sure winner here.
Kudos, Mr. Connelly for a wonderful teaser novel to get the reader curious. Admittedly, I cannot remember reading about Ballard before in your writing, but I wonder if you have any hopes of bringing Haller or Bosch in to liaise at some point, should this book take off and lead to a larger series.